is professor of painting at the Hartford Art School. As an artist he has had over 20 one-person exhibitions and his work is in many public collections, including the Guggenheim Museum, the Museum of Modern Art, and the Whitney Museum. In Connecticut his work is in the collections of the Wadsworth Atheneum, the New Britain Museum, and the Florence Griswold Museum. Over his career he has been awarded a Guggenheim Fellowship for Painting, a National Endowment Individual Artist’s Fellowship, and a Pollock/Krasner Fellowship. The Fred Giampietro Gallery, New Haven, CT, represents his work exclusively.
was born in Warsaw, Poland. She earned a veterinary degree in 1983 from Warsaw Agricultural University; and a PhD in veterinary pathology from the University of Connecticut in Storrs 1995. She has been at the University of Hartford since 1995 in the Biology Department; a full professor, studying sharks since 1990, and on the editorial board of Journal of Fish Diseases,
is the executive director at the American School for the Deaf. He and several other deaf leaders will explain the role of deaf culture and American Sign Language in the deaf community as well as the education of the deaf. Content will also include the role of Gallaudet University, clubs and associations of the deaf, media and technology.
is a marinebiologist and an associate professor of biology in Hillyer College He teaches all aspects of biology, and has a particular interest in environmental studies and the science of disasters. Bullard's research concerns invasive species, particularly sea squirts, and plankton, and is currently centered on Long Island Sound. His publications include work on ascidians and bryozoans, crabs, and plankton.
is curator of the Museum of Connecticut History.
directs Global Studies at Watkinson School. He holds a doctorate in history and has taught extensively at the high school and college levels. His writings about history, education, and contemporary adolescence have appeared in The Los Angeles Times, Journal of Southern History, Education Week, Hartford Courant, and elsewhere. An award-winning teacher, Chris’s classroom work has been showcased in a story in The New York Times. He has also been a guest panelist on NPR-syndicated radio shows devoted to history and teaching.
is a six-time Emmy Award-winning director/producer/editor/writer of documentary films. In 2016 she won the National Academy of Television Arts and Science’s Best Director Emmy Award for her work on Letter from Italy, 1944: A New American Oratorio, narrated by Meryl Streep. She has produced many films about the history of Connecticut over the past 30 years including The New Haven Green: Heart of a City, narrated by Paul Giamatti. She is a Fellow at Yale University.
was for 16 years director of the New Britain Museum of American Art. Previously, he served as director of the San Antonio Museum of Art and the Birmingham Museum of Art. He has a PhD in art history from the University of Delaware and has organized numerous exhibitions and written articles and catalogs on a wide variety of European and American subjects.
is a graduate of Goucher College, BA, Peabody Conservatory of Music, MM, Yale University School of Music, MMA. For 22 years, prior to her retirement in 2013, she was a member of the music faculty at Wesleyan University, where she taught composition, piano, and chamber music and performed actively. Following her retirement, Meneely-Kyder has focused her attention on larger vocal and choral works in the fields of opera and oratorio, like Letter from Italy, 1944. Distinguished soloists, choral organizations, and opera companies throughout New England are commissioning and performing her works. Meneely-Kyder has made two recordings for a CD on the North/South Recordings label. The second, Millennium Overture, was nominated for a Grammy in 2003. In 2007, the chamber ensemble, VOCE, recorded her third CD, A Garland of Hymns and Carols.
has been guest conductor with orchestras in Britain and North America, including the Pittsburgh, Toronto, City of Birmingham, and London Symphonies, the Cleveland Orchestra, and the Royal Philharmonic, and was for 15 years music director of the Hartford Symphony Orchestra. He studied at the Royal College of Music with Sir Adrian Boult and has had close professional collaborations with Benjamin Britten, William Walton, and Michael Tippett.
holds a BA from Smith College, an MAT in english from Yale and an MEd from UMass/Amherst. She has published poetry, book reviews and articles in a variety of literary publications and newspapers. Her book, Letter from Italy, 1944, was published by Antrim House and placed in the 2016 Eric Hoffer Book Awards. It was noted by the Hartford Courant as one of 13 important books published by Connecticut Writers in 2013. It provides the libretto for the oratorio composed by her sister, premiered by The Greater Middletown Chorale. On May 4, 2017, the GMChorale and the Hartford Chorale will collaboratively produce and perform this unique oratorio at the Bushnell.
PhD, is a professor of psychology at the University of Hartford, where he has been on the faculty since 2000. He has published more than 35 peer-reviewed journal articles, many examining how hypnosis works and who responds most strongly to it. He is a Fellow of Division 30 (Psychological Hypnosis) of the American Psychological Association. He is on the editorial board of three scientific peer-reviewed hypnosis journals.
is a lecturer in the humanities department at St. Anselm College and has taught at various universities including the University of North Carolina at Chapel Hill, Duke University, Keene State College and Curry College. She received her PhD in African American literature and Latino/a literature and theory from the University of North Carolina at Chapel Hill. She is the author of After the Pain: Critical Essays on Gayl Jones and has written several essays in the areas of African American literature, Latino/a literature, Women’s studies, and film criticism. She is currently editing a collection of essays on Kathryn Stockett’s 2009 novel The Help entitled Like One of the Family; Domestic Workers, Race and In/Visibility. The Help was recently published by Cambridge Scholars Press.
is an associate professor of history at Hillyer College, University of Hartford. He is the author of The Coldest Crucible: Arctic Exploration and American Culture (Chicago: University of Chicago Press, 2006), The Lost White Tribe: Explorers, Scientists, and the Theory that Changed a Continent (New York: Oxford University Press, 2016)and winner of the 2008 Book Award for the History of Science in America. Robinson has given lectures about his work at the American Museum of Natural History, The Explorers Club, The British Library, the Library of Congress, and NASA headquarters among others. He is a frequent guest on radio and television programs including American Experience, BBC World Service, the Smithsonian Channel, and the Travel Channel and has been a news source for the Wall Street Journal, the Christian Science Monitor, the Associated Press, and USA Today.
former academic dean for International and Honors Programs at the University, she is the author of Victorian Women Travel Writers in Africa (1982) and many scholarly articles on English literature, theater, and women’s studies. In her 30 years at the University of Hartford, she served as a department chair, associate dean, assistant provost and dean of the faculty, and the Harry Jack Gray Distinguished Teaching Humanist. She received the University of Hartford's Outstanding Teachers Award and the Trachtenberg Award for Service to the University.
DMA, is an active Hartford composer who has contributed works to several of the region’s new music festivals. Swanson-Ellis began working in the Hollywood music industry as a music copyist, arranger, technical assistant, and orchestrator on several cable released movies, as well as TV series including Cartoon Network’s, Samurai Jack and Star Wars: The Clone Wars. Since moving to Hartford, she has collaborated with a number of local artists in theater and dance, composing music for A Midsummer Night’s Dream, and for several collaborations with Full Force Dance Theatre, among others. She created The River, a collaborative, multimedia, and interdisciplinary work commissioned by the Windsor Arts Counsel, and arranged/composed for a new Hartt Dance Division production of José Limón’s Psalm. Swanson-Ellis teaches Kodaly at the Hartt School and electronic music at Eastern Connecticut State University.
He has recently retired as University Professor of Humanities and as director of the Presidents’ College, which he was instrumental in founding when he was president of the University of Hartford in the 1990s and for which he has led numbers of trips to England over the years. Tonkin's second book on Spenser, The Faerie Queene, was reissued two years ago.
is assistant professor of English at the University of Hartford, where she teaches courses on medieval literature, mythology, drama, and the history of the English language. She received her PhD from Stanford University and has published articles on the work of Geoffrey Chaucer and other medieval authors.
was a principle dancer with the Limón Dance Company from 1972-2002, serving as artistic associate from 1992-2006. Acclaimed as a 'dancer of star magnitude,' and a 'perfect Limón dancer,' she received a 2002 New York Dance and Performance Award for Sustained Achievement. She continues to teach and stage Limón’s repertory worldwide, teaches a yearly summer intensive in Italy, and is associate professor in University of Hartford's The Hartt School Dance Division, .
holds an honorary doctorate from the University of Hartford, is former general and artistic director of Connecticut Opera, and artistic director of Florida Grand Opera. He has been a guest conductor for numerous American and European opera companies and symphony orchestras, and opera companies and orchestras in South Africa. In 2002, he debuted at New York City Opera, and in 2008 at the Deutsche Opera, Berlin. Maestro Waters also serves as artistic director/opera of the Houston Ebony Opera Guild. He is music director of Prelude to Performance, a summer training program for young singers in New York sponsored by the Martina Arroyo Foundation, and a member of the faculty at Binghamton University (State University of New York). He is a regular guest panelist on the Metropolitan Opera Quiz and is a widely sought-after lecturer and master class clinician.